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L'ÉTERNITÉ
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L'ÉTERNITÉ

thenightmareofjawz:

Lacrimosa or tear bottles reappeared during the Victorian time period of the 19th century. During this time these bottles were used with special stoppers. The mourners would collect their tears and mourn until the tears evaporated, thus showing the end of the mourning period.


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mesogeios:

“Keats writes about the tendency of poets to annihilate their own identities by the chameleon-like absorption of other, more ‘poetic’ identities. Emily Dickinson delights in the meeting of another Nobody: ‘I’m Nobody! Who are you? / Are You—Nobody—Too?’ Walt Whitman asks—and answers—with self-assurance, ‘Do I contradict myself? / Very well then I contradict myself, / (I am large, I contain multitudes.)’ T. S. Eliot sees poetry as ‘an escape from personality.’ Faulkner wishes for a ‘markless’ life that could be summarized in one sentence, ‘He made his books and died.’”

Katia Mitova, from “The Pessoa Syndrome” 

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flaubrt:

“Monsters exist in margins. They are thus avatars of chance, impurity, heterodoxy; abomination, mutation, metamorphosis; prodigy, mystery, marvel. Monsters are indicators of epistemic shifts.”

— Allen S. Weiss, “Ten Theses on Monsters and Monstrosity”

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seaymphea:

“Sauvage, sad, silent, as timid as the sylvan doe, in her own family she seemed a strangeling.”

— Aleksandr Pushkin, Eugene Onegin (tr. by Vladimir Nabokov)

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